And that’s only scratching the surface of what this unique plugin will do. You can c ontrol the stereo image of the taps to alternate between hard-panned and mono, and s ync the Length and/or Chop LFO speed to the DAW session.
You can s peed up or slow down the rhythmic space between taps using the Spread knob, or u se the onboard LFOs and envelopes to chop the sound source into stuttered rhythms. The HotSwitch allows you to assign changes in effect and sound to an alternate version of the current settings in a flash. Then there’s the Slurm control that lets you smear taps together or modulate them to create reverbs (love the Futurama reference). First of all, there’s a unique Ribbon control that allows you to transition seamlessly between two settings of any combination of controls. What makes Ultratap so special? It goes beyond just having different delay taps, (and it features 64), in that it has a number of controls that you won’t find on a similar plugin.
It’s probably safe to say that none of them are as powerful as Eventide’s new Ultratap, which may very well be the ultimate example of the genre.
If delay is your thing when mixing, then you probably have a couple of multitap delays in your toolbox. New Music Gear Monday: Eventide Ultratap Delay Plugin
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